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School of Music


Faculty and Staff

Michael Harley

Assistant Professor / Bassoon
School of Music

E-mail: mharley@mozart.sc.edu
Phone: 803-777-4421
Office:

School of Music Room 224

Resources:

Southern Exposure New Music Series
Alarm Will Sound
Dark in the Song
Rushes Ensemble
All-State Double Reed Workshop

profile

Bio

Michael Harley enjoys a diverse career as a teacher, performer, and music advocate. At USC he teaches bassoon and occasional courses in music history and contemporary music, coaches chamber music, and is artistic director of the award-winning Southern Exposure New Music Series. Past full-time teaching positions include posts at Ohio University, Wright State University, and Goshen College. His performances have been called “spectacular” (Washington Post) and “exquisite” (Columbus Dispatch).

A proponent of contemporary music, Mike is a founding member of the acclaimed chamber orchestra Alarm Will Sound, called “new music luminaries” and “one of the most vital and original ensembles on the American musical scene” (New York Times). AWS members were artists-in-residence at the Metropolitan Museum of Art in 2013-14. Mike has worked with and premiered pieces by many of today’s most distinguished composers, including John Adams, John Luther Adams, Derek Bermel, Harrison Birtwistle, Caleb Burhans, Donnacha Dennehy, Stefan Freund, Michael Gordon, Aaron Jay Kernis, David Lang, Meredith Monk, John Orfe, Michael Pisaro, Steve Reich, Roger Reynolds, Wolfgang Rihm, John Fitz Rogers, Kate Soper, Augusta Read Thomas, Ken Ueno, and Charles Wuorinen. A versatile musician, he has been featured as a soloist with AWS both as a bassoonist and singer. He has recorded on the Nonesuch, Cantaloupe, New Amsterdam, Innova, Centaur, and Sweetspot record labels.

As a recitalist, chamber, and orchestral musician, Mike has played in diverse venues on five continents, ranging from nightclubs and bars (Le Poisson Rouge and the Roxy in NYC) to Lincoln Center, Carnegie Hall, Walt Disney Concert Hall, the Barbican (London), and the Hermitage Theatre (St. Petersburg); and with artists including the indie rock group Dirty Projectors, the jazz trio Medeski, Martin and Wood, soprano Dawn Upshaw, Dance Heginbotham, the orchestras of Charleston, Columbus, Fort Wayne, South Bend, Augusta, the South Carolina Philharmonic, and the Long Bay Symphony (Myrtle Beach). Current chamber projects include the pioneering bassoon groups Dark in the Song and the Rushes Ensemble, formed to perform and record Michael Gordon’s pathbreaking concert-length for seven bassoons, Rushes.  Festivals and conference performances include Lucca Opera Theater (Italy), Piccolo Spoleto, Music on the Hill Rhode Island, Mizzou New Music, Kent Blossom, the International College Music Society conference, and numerous International Double Reed Society conferences.

Mike has degrees from the Eastman School of Music (D.M.A.), where he was awarded the Performer’s Certificate, the Cincinnati College-Conservatory of Music (M.M.), and Goshen College (B.A., English and music). His teachers include John Hunt, William Winstead, Gwendolyn Rose, and Sharon Trent. He lives in Columbia, SC with his wife, flutist Jennifer Parker-Harley, and daughters Ella and Lucia.