Faculty and Staff
Anne W. Gulick
|Department:||English Language and Literature
College of Arts and Sciences
|Office:||HUO, Room 319|
|Resources:||English Language and Literature|
PhD, Duke University, 2008
BA, Columbia University, 2000
• African and Caribbean literature
• Postcolonial Studies
• Literature and Human Rights
ENGL 270 World Literature
ENGL 288 British Literature
ENGL 391/CPLT 302 Great Books of the Western World II
ENGL 438D African Literature
ENGL 438E Caribbean Literature
ENGL 735 Postcolonial Literature and Theory
ENGL 850 The Modern African Novel
SCHC 457 Anticolonial Writing from the Haitian Revolution to Black Lives Matter
• Department of English Language & Literature Morrison Fellowship, 2018
• Univ. of South Carolina Office of the Provost Humanities Grant, 2011-2012
• William Preston Few Dissertation Fellowship, 2007-2008
• Duke Institute for Critical U.S. Studies Travel and Study Award, June 2007
• Kenan Institute for Ethics Graduate Instructorship, 2006-2007
• Duke University Graduate School Summer Research Fellowship, Summer 2006
• Stephen Horne Award for Graduate Instruction in English, May 2006
• Foreign Language Area Studies Fellowship Summer 2003 (Haitian Creole)
My first book project features several African and Caribbean writers whose careers span multiple decades, and thus transcend the purported historical divide between anticolonial politics and postcolonial disillusionment. My second book project, whose working title is Anticolonial Afterlives, was sparked by my interest in questions of how we periodize such writers, and how we accommodate the complex dynamics of intergenerational exchange that are constitutive of postcolonial literature in the twenty-first century. In Anticolonial Afterlives I consider the continued resonance of anticolonial thought in the not-quite-postcolonial present through an examination of twenty-first century fictions of globalization. This project explores two distinct groups of African and Caribbean authors. The first is comprised of canonical transgenerational writers such as Maryse Condé, Earl Lovelace and Ama Ata Aidoo. Reading their twenty-first-century publications alongside their earlier work, I interrogate how these authors locate and reflect on the legacies of anticolonialism in a neo-imperial present. The second group of authors consists of a younger generation of so-called “Afropolitan” writers, such as Chris Abani, Chimamanda Ngozi Adichie and Teju Cole. These authors’ popularity in an ever-burgeoning market for global fiction seems to confirm the limitations of postcolonialism as a theoretical framework for twenty-first century literature. I argue, however, that in their critical assessments of twenty-first century neoliberalism, such writers draw on anticolonial rhetorical strategies and structures of feeling. Anticolonial Afterlives aims to take stock of the complexities of generation and periodization in postcolonial literary history, reading against the grain of a critical impulse to establish distance between a new moment of “post-postcolonial” writing and the aesthetic and political concerns of previous generations.
Literature, Law, and Rhetorical Performance in the Anticolonial Atlantic. The Ohio State University Press,Spring 2016.
The era of national liberation and decolonization may have come and gone, but postcolonialism remains a largely elusive ideal in the early twenty-first century. Literature, Law, and Rhetorical Performance in the Anticolonial Atlantic uncovers a dynamic literary history of African and Caribbean critical engagements with First World law that attests to the continuing vitality of anticolonialism as a model for intellectual inquiry and political performance. Anne Gulick argues that experimentation with declarative forms is a vital rhetorical strategy in the anticolonial Atlantic—one through which writers have asked, and sought new answers to, the question: who gets to “write” the law, and under what circumstances? These responses take shape in a generically and geographically diverse group of texts, from Haiti’s Declaration of Independence to Aimé Césaire’s surrealist poem of negritude to Ngugi wa Thiong’o’s novel of decolonization. They constitute a robust transatlantic tradition of challenging colonial and imperial authority through rhetorical performance. Drawing on the cosmopolitan aspirations and emancipatory energies of the political declaration, this tradition aims to radically re-invent the possibilities for law and political belonging in the postcolonial future.
• "Africa, Pan-Africanism and the Global Caribbean in Maryse Condé's The Story of the Cannibal Woman." The Global South 4.2 (Fall 2010), 49-75.
• "Declaring Differently: C.L.R. James, International Law, and Mid-Twentieth Century Internationalisms." Peter D. O'Neill and David Lloyd, eds., The Black and Green Atlantic: Cross-Currents of the African and Irish Diasporas (New York: Palgrave Macmillan, 2009), 213-227.
• "A Universal Rich in All Its Particulars: AimÃ© CÃ©saire's Negritude and Human Rights," Negritude: Legacy and Present Relevance, ed. Isabelle Constant and Kahiudi C. Mabana (Cambridge, U.K.: Cambridge Scholars, 2009), 114-124.
• "We Are Not the People: The 1805 Haitian Constitution's Challenge to Political Legibility in the Age of Revolution." Special Issue, American Literature 78.4 (December 2006), "Global Contexts, • • Local Literatures: The New Southern Studies," ed. Kathryn McKee and Annette Trefzer, 799-820.
• With Greg Berman, "Just the (Unwieldy, Hard to Gather But Nonetheless Essential) Facts, Ma'am: What We Know and Don't Know About Problem-Solving Courts." Fordham Urban Law Journal 30.3 (March 2003).
• Kevin Adonis Browne, Tropic Tendencies: Rhetoric, Popular Culture, and the Anglophone Caribbean. To appear in Clio: A Journal of Literature, History and the Philosophy of History.
• Maria Fumagalli, Caribbean Perspectives on Modernity: Returning Medusa's Gaze and Heather Russell, Legba's Crossing: Narratology in the African Atlantic. American Literature 83.2 (June 2011).
• Paul Jay, Global Matters: The Transnational Turn in Literary Studies; Michael Malouf, Transatlantic Solidarities: Irish Nationalism and Caribbean Poetics; and Adam Lifshey, Specters of Conquest: Indigenous Absence in Transatlantic Literatures. American Literature 83.4 (December 2011).
• “Decolonial Critical Pedagogy.” To be presented at a roundtable at the African Literature
Association Annual Meeting, New Haven, June 2017.
• “Silenced Struggles: Forgetting to Remember Anticolonialism in Twenty-First-Century Anglophone African Fiction.” To be presented at the African Literature Association Annual Meeting, June 2017.
• “Present Pasts: Intergenerational Exchange and Anticolonial Afterlives in Contemporary Global Fiction.” To be presented at the American Comparative Literature Association (ACLA) Annual Convention, Seattle, March, 2015.
• “Afropolitanism and Anticolonialism.” Presented at the ACLA Annual Convention, New York, March 20, 2014.
• “Anticolonial Afterlives and Teju Cole’s White Industrial Savior Complex.” Presented at the MLA Annual Convention, Chicago, January 8, 2014.
• “‘We Are Not the People’: Radical Authorship and the South African Freedom Charter.” Presented at the African Literature Association Annual Meeting, Charleston, SC, March 20, 2013.
• “Narrating Anticolonialism in the Postcolonial Future: C.L.R. James’s Later Histories of Black Revolution.” Presented at the MLA Annual Convention, Boston, January 4, 2013.
• “African Literary Criticism and the Language of Human Rights.” Presented at the MLA Annual Convention, Boston, January 6, 2013.
• "Cosmopolitan Fiction and the Resistant Anticolonial Trace." Presented at the International Conference on Narrative, Las Vegas, March 17, 2012.
• "Negritude and the Radicalization of Human Rights." Presented at the Modern Language Association Annual Convention, Seattle, January 5, 2012.
• "Formal Experimentation in the Law and Literature of Decolonization." Presented at the Modernist Studies Association Annual Conference, Buffalo, October 7, 2011.
• "Anomalous Exemplarity: Transatlantic Postcolonialism and Formal Experimentation in Haitian and South African Declarations." Presented at the American Comparative Literature Association (ACLA) Annual Convention, Vancouver, March 31, 2011.