8th Annual DLLC GSA Conference
Global Visual Cultures Program
April 3 – 4, 2026
Hamilton College
(1512 Pendleton St, Columbia, SC 29208)
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| Conference keynote by: Prof. Mercedes Lopez Rodriguez |
download the conference program [pdf] |
Friday April 3rd
Breakfast 8:30 am
Welcoming Speech 9:00am
1st Panel 9:30am – 10:45am (Room 227)
Identity Narratives in Children/YA Fiction
Panel Chair: Delaney Sullivan
- Jordan Frederick “Graphic Novel Autopathologies as Feminist Texts” (UofSC)
- Allie Moore “I Was Destined to Have an Identity Crisis”: Utilizing Narrative Structure and Aesthetic Techniques in Comics to Analyze Halfway There." (UofSC)
- Delaney Sullivan “Food as Other: Touristic Multiculturalism in Contemporary American
Picturebooks” (UofSC)
Coffee 10:45 – 11:00 am
2nd Panel 11:00am – 12:15pm (Room 227)
Visual Linguistics from the Global South (Hybrid)
Panel Chair Hind Ashraf Hosny
- Keri Sanchez Sandoval “Lenguas indígenas y el español en México, Chile y la zona andina: Identidad, influencia y contacto lingüístico” (UofSC)
- Shana Scucchi “Negotiating Meaning and Visual Metaphor in Spanish Product Advertisements” (UofSC)
- Faten ElKafrawy “Cartoons Translate Cultures and Ideologies: Qatar Football World
Cup 2022 Cartoons Translate the Unsaid” [V] (Modern Sciences and Ats University &
Fullbright Scholar)
Lunch Break (Midday Intermission) 12:30pm – 2:00 pm
3rd Panel 2:00pm – 3:15pm (Room 226)
Depicting National History in a Postcolonial World
Panel Chair Rume Kpadamrophe
- Arunav Das “Can the Subaltern be Screened? Visual Counter-archive in Garos of 71” (USC)
- Babila Samuel “Images and nationhood: Sembene Ousmane’s Postcolonial cinema” (USC)
- Hannah Frimpomaa Nhyira “A Visual History of Colonial and Postcolonial Ghana: Power, Cartography, and Visual Discourse” (USC)
Refreshments 3:15 – 4:00 pm
Keynote Speech 4:00pm-5:00pm (Room 226)
Speaker: Mercedes Lopez Rodriguez, CPLT and Spanish Program, (USC)
“Disgust as Cultural Critique. Video Activism, Visual Arts, and What Makes Us Human in a Post-Human world.”
Introduced by: CPLT Program Director, Agnes Mueller (USC)
CPLT Reception 5:15 – 7:00pm (Location: Gambrell 429)
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Saturday April 4th
Breakfast 8:30 – 9:00
4th Panel 9:00am – 10:15am (Room 227)
Institutional Resistance in Mexican Films
Panel Chair Carter Frahm
- Cris Tengono Garcia “Identidades extraídas: estéticas cuir y violencias de género en Temporada de Huracánes” (USC)
- Wari Gálvez Rivas “Los ecos del indígena muerto: la voz indígena en Roma de Alfonso Cuarón” (USC)
- Perla Richerson “Contained Transgression: Power, Coloniality, and Subaltern Agency in Herod’s Law and The Crime of Father Amaro” (USC)
Coffee 10:15 – 10:30
5th Panel 10:30am – 11:45am (Room 227)
Political Resistance and Memory (Hybrid)
Panel Chair Arunav Das
- Agostina Mercado “That-May-Still-Be: Photographs of the Disappeared as Vehicles of Resistance in (Post-)Dictatorship Argentina” [V] (USC)
- Sarah Aly “The Visual as Battleground: Graffiti of The Egyptian Revolution, 2011 and Beyond” (USC)
- Hao Sun “Ethical Witnessing Beyond Spectacle: Everyday Life and Historical Trauma in Snow in Midsummer” (USC)
Lunch 12:30pm – 2:00 pm
6th Panel 2:00pm – 3:15pm (Room 226)
Technologies of the Visual Across Time
Panel Chair Jenna Parks
- Liv Murray “Beyond the Art: Identity expression, communication, and interpretation through visual cues” (UofSC)
- Jack Dedmondt “Eternal Memory: Symbolist Cosmology in Leon Bakst’s Painting Terror Antiquus” (UofSC)
- Leah Burney “Streaming Sermons for Local Community Churches” (GSU)
- Litong Zhu “Nationalistic Visual Youth Culture in Contemporary China through BiliBili Country Humans Animatics” (U of Georgia)
Refreshments 3:15 – 3:30 pm
7th Panel 3:30 pm - 4:45 pm (Room 226)
Capturing Lived Experiences
Panel Chair Gisselle Lopez
- Rume Kpadamrophe "Wearing the World: La Sape and vernacular cosmopolitanism in Mabanckou's Bleu-Blanc-Rouge." (USC)
- Hind Ashraf Hosny “The Grime of Egypt: Countervisuality in the Photography of Denis Dailleux” (UofSC)
Reception 5:15 pm - 7:00 pm (Location: Gambrell 429)
This conference is sponsored by the USC CPLT Program and Department of Languages, Literatures & Cultures

