South Carolina Assessment Program

Task Details

Playing a Melody on Ensemble Instruments – Band

Students will demonstrate the ability to perform a melody using barred instrument techniques. They will review and rehearse the familiar melody alone and with others before they perform. By identifying how well they demonstrate posture, grip, strike, and melodic accuracy, teachers can design lessons to further develop each student’s ability to play increasingly complex melodies, read notation, and compose their own melodies.

This task includes a rating scale rather than a rubric. See the Teacher Guide for information about how to use a rating scale. Do not use this task to assess improvisation or music literacy skills.

Please note that this task is currently being piloted by arts teachers around the state. The rating scale, documents, and student work samples may change throughout the 25-26 school year.


Content Area, Artistic Process, & Anchor Standard

Instrumental Music
Artistic Process Performing
Anchor Standard 4 I can perform with technical accuracy and expression.
Artistic Process Performing
Anchor Standard 3 I can produce a characteristic tone.

Targeted Grade Level(s)

  • Middle School
  • High School

Classroom Piloting Status

  • Piloting in Progress

Supplemental Materials

Rubric and Sample Student Work

POSTURE
Proficiency Level Description Sample Student Work Justification
All Levels

The student maintains aligned, balanced posture:

  • Sits or stands upright with straight back
  • Feet flat on the floor and/or shoulder width apart
  • Relaxed, tension-free shoulders, arms, and/or knees
Refer to state guidelines, methods books, and other resources for details and images of instrument-specific posture.
INSTRUMENT CARRIAGE & POSLTLON
Proficiency Level Description Sample Student Work Justification
All Levels

The student demonstrates instrument-appropriate hold and hand/finger position:

  • Instrument brought to the body and/or spaced appropriately
  • Appropriate playing angle/height of the instrument
  • Correct hand/finger placement or grip
  • Appropriate finger, side, or stick movement
Refer to state guidelines, methods books, and other resources for details and images of instrument-specific posture.
SOUND PRODUCTION
Proficiency Level Description Sample Student Work Justification
All Levels

The student produces a free, characteristic tone:

  • Proper embouchure/grip, mouthpiece placement, or rebound
  • Breath support with steady airflow
  • Articulation with tongue or even-paced legato strokes

Students in these samples demonstrate a range of ability levels. Read the justifications for specific information.

Always - Trumpet

Mostly - Flute

Always - Trumpet
The student articulated each note consistently. Breath support was evident, and the student demonstrated a characteristic tone.

Mostly - Flute
The student did not maintain breath support or steady airflow, which caused the student to take a breath between notes.

Sometimes
Justification coming soon

Never
Justification coming soon
RHYTHM
Proficiency Level Description Sample Student Work Justification
All Levels

The student performs the melody’s rhythms as notated:

  • Established with consistent tempo/beat
  • Accurate, precise rhythms

Students in these samples demonstrate a range of ability levels. Read the justifications for specific information.

Always - Clarinet

Mostly - Tuba

Always - Clarinet
The student's tempo and rhythms were consistent throughout.

Mostly - Tuba
Although the tempo was consistent, the student did not hold the half notes for 2 full beats.

Sometimes
Justification coming soon

Never
Justification coming soon
PITCH
Proficiency Level Description Sample Student Work Justification
All Levels

The student performs the melody’s pitches as notated:

  • Accurate notes
  • Accurate fingerings or stickings

Students in these samples demonstrate a range of ability levels. Read the justifications for specific information.

Always - Flute

Mostly - Mallets

Always - Flute
The student performed all pitches as notated.

Mostly - Mallets
The student played most pitches correctly, but two pitches were played at the same time in the second phrase.

Sometimes
Justification coming soon

Never
Justification coming soon