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College of Arts and Sciences


Faculty and Staff

David Greven

Title: Professor
Department: English Language and Literature
College of Arts and Sciences
E-mail: dgreven@mailbox.sc.edu
Phone: 803-576-5945
Office: HUO, Room 217
Resources: Curriculum Vitae [pdf]
English Language and Literature
profile

Education

Ph.D., Brandeis University, 2002
B.A., Hunter College, The City University of New York, 1996

Specialization

Nineteenth-Century American Literature
Psychoanalytic Theory and Queer Theory
Gender Studies and Masculinity Studies
Film, Television, and Popular Culture (Hitchcock, The Woman's Film, Film Noir, 1970s Film, De Palma, Contemporary Hollywood, Genre Film and Television)
The History of American Literary Criticism

Courses 

UNDERGRADUATE
Gender and Sexuality in Nineteenth Century American Literature
The American Novel to 1914
The Films of Alfred Hitchcock
The American Gothic in the 19th and 20th Centuries

GRADUATE
American Romanticism
The American Novel to the Civil War
Male Sexuality in the American Renaissance

Research Projects 

I am currently working on a book titled The Transformations of Influence: Nineteenth-Century American Literature and British Tradition. My book reopens the question of literary influence, which has been understudied since the 1990s, through an analysis of the writings of nineteenth-century authors Cooper, Hawthorne, Melville, James, and Jewett. Influence allows us to see the ways that American authors used precursor texts to probe their own nation and further their literary projects. Moreover, influence illuminates pressing issues of gender, sexuality, and race in these writings, the moments of revision and potential resistance that evinced nineteenth-century authors' critical analysis of literary tradition and uses of this tradition to imagine alternative possibilities.

Publications 

BOOKS
    Queering the Terminator: Sexuality and Cyborg Cinema (Bloomsbury, 2017)
    Intimate Violence: Hitchcock, Sex, and Queer Theory (Oxford University Press, 2017)
    Ghost Faces: Hollywood and Post-Millennial Masculinity (SUNY Press, March 2016; paperback, 2017) 
    
Gender Protest and Same-Sex Desire in Antebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville (Ashgate, March 2014; Routledge, paperback edition, 2016).
    Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin (The University of Texas Press, 2013).
    The Fragility of Manhood: Hawthorne, Freud, and the Politics of Gender (The Ohio State University Press, 2012).
    Representations of Femininity in American Genre Cinema: The Woman's Film, Film Noir, and Modern Horror (Palgrave Macmillan, 2011). Paperback edition published in September 2013.
    Manhood in Hollywood from Bush to Bush (The University of Texas Press, 2009).
    Gender and Sexuality in Star Trek: Allegories of Desire in the Television Series and Films (McFarland, 2009).
    Men Beyond Desire: Manhood, Sex, and Violation in American Literature (Palgrave Macmillan, 2005) Paperback edition published in September 2012.

RECENT ESSAYS
    “Valdemar’s Abjection: Poe, Kristeva, Masculinity, and Victim-Monsters,” Studies in Gender and Sexuality (accepted)
   "The Dark Side of blondeness: Vertigo and race." Screen, Volume 59, Issue 1, 1 March 2018, Pages 59–79, https://doi.org/10.1093/screen/hjy004    “‘Nothing could stop it now!’: Tennessee Williams, Suddenly Last Summer, and the Intersections of Desire.” The Cambridge Companion to Erotic Literature. Ed. Bradford K. Mudge. Cambridge University Press, 2017. Solicited Essay.
    “In the Name of the Father: Billy Budd and the Critics from the Melville Revival to Cold War America.” Critical Insights: Billy Budd, Sailor. Ed. Brian Yothers. Salem Press, 2017. Solicited Essay.
    “Iterated Horrors: ‘The Monster’ and Manhood.” Haunting Realities: Naturalist Gothic and American Realism. Eds. Monika Elbert and Wendy Ryden. University of Alabama Press, 2017. Solicited Essay.
    “The Southern Gothic in Film.” The Palgrave Handbook to the Southern Gothic. Eds. Charles Crow and Susan Castillo. Palgrave Macmillan, 2016. Solicited Essay.
    “Hawthorne and Influence: Reframing Tradition,” Introduction to Special Issue of The Nathaniel Hawthorne Review: "Hawthorne and Influence,” vol. 42, no. 1, Spring 2016.
    “Incest and Intertextuality: Female Desire and Milton’s Legacy in The House of the Seven Gables.” ESQ: A Journal of Nineteenth-Century American Literature and Culture 62.1 (2016): 39-76.
    “Jewett’s Mythic Ambivalence: Hellenism, Femininity, and Desire in the Dunnet Landing Stories,” Nineteenth Century Studies, vol. 25 (2015)
    "Hitchcock and Queer Sexuality." The Cambridge Companion to Alfred Hitchcock, edited by Jonathan Freedman.
    “‘You Can Put That in the Past Tense’: Heterosexual Ambivalence and Torn Curtain,” The Hitchcock Annual, vol. 19, 2014, 36-81.
    "The Death-Mother in Psycho: Hitchcock, Femininity, and Queer Desire." Studies in Gender and Sexuality, 15:3, 167-181, 2014
    “Spectral Men: Femininity, Race, and Traumatic Manhood in the RTV Ghost-Hunter Genre.” Reality Gendervision: Sexuality and Gender on Transatlantic Reality Television. Ed. Brenda R. Weber. Durham, NC: Duke University Press, 2014. 316-339.
    
"The Homoerotics of James' Hawthorne: Race, Aesthetics, and American Masculinity," American Literary Realism, 1870-1910, vol. 46, no. 2, Winter 2014.
    "Intimate Violence: Marnie and Queer Resilience," The Hitchcock Annual, vol. 18, 2013.
    "I Love You, Brom Bones: Beta Male Comedies and American Culture," Quarterly Review of Film and Video, Issue 30.3, May, 2013
    "Making a Meal of Manhood: Revisiting Rope and the Question of Hitchcock's Homophobia," Genders, Issue 56, Fall 2012
    "New Girls and Bandit Brides: Female Narcissism and Lesbian Desire in Fuller's Summer on the Lakes," Legacy: A Journal of American Women Writers, vol. 29, no. 1 (2012), pp. 37-61.
    "Hawthorne and the Gender of Jewishness: Anti-Semitism, Aesthetics, and Sexual Politics in The Marble Faun," The Journal of American Culture, vol. 35, no. 2 (June 2012).
    "American Medusa: Bette Davis, Beyond the Forest, Femininity, and Camp," Jump Cut: A Review of Contemporary Media (no. 53, summer 2011)
    "Masculinist Theory and Romantic Authorship: Hawthorne, Politics, and Desire," New Literary History, Vol. 39, Issue 4, Autumn 2008.

Recent Presentations 

    “ ‘Greedily she engorg’d’: Seduction and Influence in Paradise Lost.” “Literary Influence: Queer Reframings,” Modern Language Association Convention, Philadelphia, January 5-8, 2017.
    "CMS Workshop, “Cruising ‘Cruising’ (1980): Rethinking Strategies and Approaches to a Controversial Film,” Society or Cinema and Media Studies Conference, Atlanta, March 30-April 3, 2016.
    “Hawthorne and Milton: Remapping Intertextuality,” Modern Language Association Convention, Austin, January 7-10, 2016.
    “Spenser in Blithedale: Gender and Allegory,” American Literature Association Conference, Boston, May 2015.
    "Hepzibah in the Mirror," Hawthorne in the Berkshires, conference of The Nathaniel Hawthorne Society, North Adams, MA, June 12-15, 2014.
    "'You’re a Strange Girl, Charlie’ ": Femininity, the Dandy, and The Social Implications of Shadow of a Doubt,""Hitchcock, Women, and Queer Sexuality," Society for Cinema and Media Studies Conference, Seattle, March 19-23, 2014 (organized panel; co-presenters Tania Modleski, Lee Edelman, Joseph Litvak, and Susan White).
    "Piercing the Sonorous Envelope: Singing for the Feminine Aesthetic in ‘Circumstance,'" "Antebellum Affects:Literature and Theory," Modern Language Association Convention, Chicago, June 9-12, 2014.
    "Manly Love and Its Discontents: Melville, Whitman, and the Dream of American. Brotherhood,"Melville and Whitman in Washington, DC: The Civil War and After, Washington, DC, June 4-7, 2013.
    "The Return of the Father: Deadwood and the Contemporary Gender Politics of Complexity," Mediating Masculine Hegemony in the Modern American Empire, American Studies Conference, San Juan, Puerto Rico, November 15-18, 2012
    "Hawthorne, Freud, and Visual Identity in the 1850s: The Marble Faun and Hawthorne's Homoerotic Hellenism," Conversazioni in Italia: Emerson, Hawthorne, and Poe, Florence, June 2012
    "Plata Quemada (Burnt Money) and the Problem of the Queer Villain." "Global Masculinities: Film and Gender Crisis" (Panel Chair and Organizer), American Comparative Literature Association, Providence, RI, March, 2012.
    "Desire in Marble: Vision, Classical Antiquity, and Homoerotic Spectacle in Melville's Travel Writing." Melville and Rome: Empire, Democracy, Belief, Art. The Eighth International Melville Conference. Rome, Italy: 22-26 June 2011.
    "Poe's Mythologies: Transatlantic Nineteenth Century Hellenism as World Literature." American Comparative Literature Association, Vancouver, Canada, April, 2011.
    "I Love You, Brom Bones": Beta Male Comedies, Homophobia, and the History of American Masculinity." Society for Cinema and Media Studies Annual Conference, March 2011.
    "Frederick Crews and Freud: Sexuality and Cultural Backlash." Freud After Derrida, Winnipeg, Canada, October 2010.