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College of Arts and Sciences

Faculty and Staff

Holly Crocker

Title: Professor
Department: English Language and Literature
College of Arts and Sciences
Phone: 803-576-5957
Office: HUO, Room 305
Resources: English Language and Literature


PhD, Vanderbilt University, 1999
MPhil, University of Wales, 1998


    Medieval and Reformation Literatures and Cultures
   • Feminist Theory


ENGL 401    Chaucer the Poet
ENGL 402    Tudor Literature
ENGL 406    Shakespeare's Comedies and Histories
ENGL 419N  Medieval Masculinities
ENGL 437    Women Writers
SCHC 452J  Honors Seminar: Sovereigns, Tyrants, and Shrews in Early English Literature
WGST 701   Feminist Theory
ENGL 705    Chaucer's Men
ENGL 705    The Soul of Chaucer
ENGL 708    Envisioning the Self in Late Medieval Literature


I am author of Chaucer’s Visions of Manhood (Palgrave, 2007), co-editor of Medieval Literature: Criticism and Debates (Routledge, 2014; with D. Vance Smith), and editor of Comic Provocations: Exposing the Corpus of Old French Fabliaux (Palgrave, 2006). My articles have appeared in The Chaucer Review, Exemplaria (twice), The Journal of Early Modern Cultural Studies, The Journal of Medieval and Early Modern Studies, Medieval Feminist Forum, New Medieval Literatures, Shakespeare Quarterly, Studies in the Age of Chaucer, Studies in English Literature, 1500-1900, and numerous edited collections. I am also co-editor of a special issue of postmedieval: a journal of medieval cultural studies on “Premodern Flesh” 4.4 (2013; with Kathryn Schwarz).

From 2008-2015 I was forum editor and reviews editor of postmedieval: a journal of medieval cultural studies. I have been a member of the MLA’s Chaucer Division Executive Committee (2010-15; Chair, 2014), a member of the New Chaucer Society Program Committee (Portland, 2012), and Co-Chair of the New Chaucer Society Program Committee (Reykjavik, 2014; with Glenn Burber). My work has been supported by fellowships from the Fulbright Commission, the NEH, the Folger Shakespeare Library, IASH at Edinburgh University, and the Forschungskolleg Humanwissenschaften at the Goethe University of Frankfurt. I am the recipient of the departmental teaching award, as well as the Graduate English Association’s award for best performance in the classroom. I have also twice won the William Richey Faculty Mentor Award from the Graduate English Association. In 2014-2015 I held the English Department’s Morrison Professorship and was a Visiting Research Scholar at Vanderbilt University. In 2016, I won the Russell Research Award for Humanities and Social Sciences, the highest award for research at USC. 

I’ve just completed a monograph, The Matter of Virtue: Women’s Ethical Action from Chaucer to Shakespeare (University of Pennsylvania Press, under contract)This project argues that English poets--including Capgrave, Chaucer, Fletcher, Henryson, Lodge, Lydgate, Shakespeare, and Spenser--elaborate a positive account of women’s ethical action. They do so through a poetic reformulation of virtue as material, animate, and performative. Rather than confine women within rigid prescriptive schema, writings under consideration in this study articulate a material conception of virtue that allows women to show strength, dignity, beauty, and constancy, among other qualities. By treating feminine virtues as embodied powers that exert material influence, these poets not only create powerful female characters, they also foster an ethics based on forbearance and endurance rather than governance and domination.

Together with Glenn Burger, I’ve also recently completed an edited volume, Medieval Affect, Feeling, and Emotion (Cambridge University Press, under contract). This essay collection rethinks how feelings are represented in late Middle English literature (ca. 1375-1501). Across eight chapters and an afterword, it shows that the history of emotions and affect theory are similarly insufficient for investigating the intersection of body and mind featured in late Middle English literatures. And, while medieval studies has generated a rich scholarly literature on “affective piety,” essays in this collection chart an exciting new investigation of feelings in non-religious contexts. From Geoffrey Chaucer to Gavin Douglas, and from practices of witnessing to the adoration of objects: essays in this volume chart the coexistence of emotion and affect in late medieval representations of feeling.

I’m currently working on two monographs: Feminism Without Gender in Late Medieval Literature offers a positive account of feminist subjectivity in Chaucer, Langland, the Pearl-poet, Hoccleve, and Kempe; Feeling Medieval: The Affects of the Past in Reformation England investigates how early sixteenth-century writers—including Askew, Bale, Foxe, and Tyndale—make use of the medieval structures of feeling they claim to suppress. I’m writing an essay on Langland and feminism for Exemplaria, an essay on Chaucer’s Knight’s Tale and feminism for The Chaucer Review, and an essay on Chaucer’s Clerk’s Tale for The Cambridge Companion to Chaucer (ed. Frank Grady). I also write on the relationship between past and present for the ARCADE project at Stanford: